Look Group Conversations: Haegue Yang

Diversity/ Inclusion | Participation
1.5 hours
Virtual pre-recorded exhibition tour and curator Q&A, taking place on Zoom. Pre-booked event for existing Look Group members from across Cornwall.
Founded by Tate St Ives in 2009, the idea behind the Look Group network has always been to create and sustain small community groups with a shared aim from one end of Cornwall to the other. The aim is to enliven conversation about art in a supportive self-led environment, while working with Tate in new and exciting ways. The larger ambition of Look Groups is to encourage more people into informal learning, specifically, opportunities connected to learning around the visual arts outside of the gallery. Through meetings, members learn how to access different learning resources, such as online archives, in new places, in new ways and at flexible times. An important part of the project is enabling groups to connect with each other, widening discussions beyond individual groups. Look Groups have a Facebook page, which allows groups to share ideas and continue discussions with a wider network, as well as with Tate nationally.
During the Covid-19 pandemic, many Look Groups were forced to stop meeting or find other ways to connect through digital means. This event was the first online Tate-led session offered to Look Groups in response to the barriers of meeting in real life. The aim of the event was to enable Look Group members to access art and discussions about art where lockdown and their rural location made this difficult, to learn something about the artist Haegue Yang and the subject matter of her Tate St Ives exhibition, and to feel encouraged and empowered to contribute to a discussion around her work. Following the event, members would be better equipped / more confident to access online events in future and groups could also choose to hold their own follow-up meeting independently, either online or in an alternative way. The online session was designed to work according to the same principles as previous Look group activity – supportive and open, with a discursive approach, collaborative while championing individual contribution, and moderating an inclusive environment and easy for all members to access. Participation (primarily through discussion) would be encouraged and enabled, and the programme would be enhanced by collaboration between Tate colleagues. The event was co-hosted by an Assistant Exhibitions & Displays Curator and an Artist Educator, with support from an Assistant Learning Curator and Learning Specialist. A pre-recorded film of the exhibition was shared and key themes in Yang’s work were explored with an opportunity for Look Group members to contribute and ask questions. The event began with an online Zoom session presenting pre-recorded film content of the Haegue Yang: Strange Attractors exhibition, with commentary from the Assistant Exhibitions & Displays Curator. These insights into the exhibition were packaged into four parts (each between 2 and 5 mins long) looking at different aspects of the show: 1: Strange Conversations – exploring the imagined relationship that Yang created between herself and three other artists: Li Yuan-chia, Barbara Hepworth and Naum Gabo, and more broadly at what it might mean to create conversations between artists from different places and time periods. 2: Strange Materials – looking into Yang’s use of unconventional materials, including industrial components, household objects, embroidered yarn, artificial straw, ritualistic bells and the insides of security envelopes. 3: Strange Climates – delving into Yang’s interest in the meteorologist Edward Lorenz, and the incorporation of his ideas around weather systems, chaos and ‘strange attractors’ into the large-scale wallpaper piece Non-Linear and Non-Periodic Dynamics, 2020. 4: Strange Unfoldables – exploring the physical, conceptual and emotional significance of clothes drying racks and other everyday objects in Yang’s practice, particularly in relation to the notions of folding and unfolding. Following each section, the Artist Educator facilitated conversation and interventions from participants to open up conversation and thinking around the subject, enabling Look Group members to actively engage with the dialogue and develop new knowledge. The Zoom chat box was also open as a tool to support this dialogue. As the Zoom session was fully booked, the event was also streamed to the private Look Group Facebook group, and Facebook Live chat was also monitored to draw into the session.  
30 Look Group members joined the event, from at least 9 of the 12 current groups. Whilst the event was most popular with those members who were used to attending the in-person Look Group events at the gallery, there is evidence to suggest that the online event attracted a new audience. All participants were aged between 50 and 89, with just over half in their 70s. This indicates a slightly older participant profile than that of Look Group membership, where the largest age group is 60-69 (49%) and only 28% of members are aged 70-79. It is not clear why this event attracted a larger proportion of older members but it contradicts the stereotype that older people are reluctant to use technology. The discursive or conversational quality of the event was a highlight – a significant number of participants mentioned this as being particularly effective and appreciated being able to ask questions and hear people’s thoughts. The interactive elements – polls, chat function, discussions – were also well-received, while some participants expressed the wish for more discussion time, perhaps in smaller groups. There was clear agreement amongst members on the future of online events organised by Tate St Ives. When asked to choose between three options – attending only in-person events, attending only online events, and attending a mix of online and in-person events – 100% said that they would prefer to attend a mix of online and in-person events. This pilot event evidenced that finding alternative ways to share innovative content and continue to build relationships widens opportunities and strengthens informal adult learning for those who participate. Ultimately, it continues to improve connections between Tate and communities around Cornwall. This enables progression between different kinds of learning and helps people to make better use of broadcasting and technology moving forward – skills that are also transferable to other contexts.