Amie Siegel (b. 1974, Chicago, IL) is a visual artist working variously with film, video, photography, sound, performance and installation. She is known for her layered, meticulously constructed works that trace and perform the undercurrents of systems of value, cultural ownership and image-making. Recent solo exhibitions include Quicksand, Centro Andaluz de Arte Contemporáneo, Seville, Spain (2025), Asterisms, VISUAL, Carlow, Ireland (2024); Panorama, Carnegie Museum of Art, Pittsburgh (2023) and Bloodlines, Scottish National Museum Gallery of Modern Art (2022). She has participated in numerous group exhibitions including the 7th Design Triennial, Cooper Hewitt Smithsonian Museum; 34th São Paulo Bienal, 12th Gwangju Biennial; Dhaka Art Summit, Bangladesh; Glasgow International, Scotland; 5th Auckland Triennial, New Zealand; and the Whitney Biennial.

Siegel’s work is in the permanent collections of The Museum of Modern Art, New York; Tate, London; Carnegie Museum of Art, Pittsburgh; The Art Institute of Chicago; Kunstmuseum Stuttgart; Auckland Art Gallery, New Zealand; MAK-Museum für Angewandte Kunst, Vienna; The Metropolitan Museum of Art, New York; Whitney Museum, New York; and Solomon R. Guggenheim Museum, New York. She has been a fellow of the DAAD Berliner-Künstlerprogramm and Guggenheim Foundation, a Fulton Fellow at The Film Study Center at Harvard University and a Smithsonian Artist Fellow. Siegel has received awards from the Sundance Institute, Princess Grace Foundation, ICA Boston (Foster Prize), Creative Capital, Anonymous Was a Woman and the Foundation for Contemporary Arts, New York.